"Immersive, nuanced, impeccably researched" IAN RANKIN "Beautifully written and moving" ALLAN MASSIE "Poignant, nostalgic and redolent of the smell of France" SIMON BRETT Family history has always been a mystery to Will Latymer. His father flatly refused to talk about it, and with no other relatives to consult, it seems that a mystery it shall always remain. Until of course, Will meets Ghislaine, his beautiful French cousin, in a chance encounter that introduces him to his grandmother, Madeleine, shut away in a quiet Breton manor with her memories and secrets. Before long, Will has been plunged headlong into the life of Madeleine's great love, his longlost grandfather, Henry Latymer. Reading Henry's old letters and diaries for the first time, Will discovers an idealistic young man, full of hopes and optimism - an optimism that will gradually be crushed as the realities of life under the Vichy regime become glaringly clear. But the more Will delves into Madeleine and Henry's past, and into France's troubled history, the darker the secrets he discovers become, and the more he has cause to wonder if sometimes, the past should remain buried.

When the beautiful, ambitious actress Regina takes Fosca into her life and learns his amazing truth, she is obsessed with the thought that in his memory her performances will live for ever. But, as he recounts the story of his existence over more than six centuries, as she learns of his involvement in some of the most significant events in history and how human hope and love have withered in him, she finally understands the implications for him and for love. ALL MEN ARE MORTAL was filmed in 1994, starring Irene Jacob, Marianne Sagebrecht and Stephen Rea.

Examines the pursuit of orthodoxy, and its consequences for the history of Christianity. Christianity is a hugely diverse and quarrelsome family of faiths, but most Christians have nevertheless set great store by orthodoxy - literally, 'right opinion' - even if they cannot agree what that orthodoxy should be. The notion that there is a 'catholic', or universal, Christian faith - that which, according to the famous fifth-century formula, has been believed everywhere, at all times and by all people - is itself an act of faith: to reconcile it with the historical fact of persistent division and plurality requires a constant effort. It also requires a variety of strategies, from confrontation and exclusion, through deliberate choices as to what is forgotten or ignored, to creative or even indulgent inclusion. In this volume, seventeen leading historians of Christianity ask how the ideal of unity has clashed, negotiated, reconciled or coexisted with the historical reality of diversity, in a range of historical settings from the early Church through the Reformation era to the twentieth and twenty-first centuries. These essays hold the huge variety of the Christian experience together with the ideal of orthodoxy, which Christians have never (yet) fully attained but for which they have always striven; and they trace some of the consequences of the pursuit of that ideal for the history of Christianity.

Traumatized by memories of his war-ravaged country, and with his son and daughter-in-law dead, Monsieur Linh travels to a foreign land to bring the child in his arms to safety. The other refugees in the detention centre are unsure how to help the old man; his caseworkers are compassionate, but overworked. Monsieur Linh struggles beneath the weight of his sorrow, and becomes increasingly bewildered and isolated in this unfamiliar, fast-moving town. And then he encounters Monsieur Bark. They do not speak each other's language, but Monsieur Bark is sympathetic to the foreigner's need to care for the child. Recently widowed and equally alone, he is eager to talk, and Monsieur Linh knows how to listen. The two men share their solitude, and find friendship in an unlikely dialogue between two very different cultures. Monsieur Linh and His Child is a remarkable novel with an extraordinary twist, a subtle portrait of friendship and a dialogue between two cultures.

From the author of Grey Souls and Brodeck's Report: a chilling island fable of murder, exploitation and complicity "A parable about modern migration that is also the kind of detective story Mikhail Bulgakov might have written: visionary and darkly humourous" Lucy Hughes-Hallet, New Statesman BOOKS OF THE YEAR "A timely and elegant examination of the migrant situation in the Mediterranean from the point of view of a remote, volcanic island" The New European BOOKS OF THE YEAR The Dog Islands are a small, isolated cluster of islands in the Mediterranean - so called because together, when viewed from above, they form the shape of a dog, twisting and baring its teeth against a brilliant blue sea. One of the only inhabited islands (the one that takes the place of one of the dog's teeth) is dominated by a gently smoking volcano, fringed by black volcanic beaches and under the iron rule of the heads of community who are loath to let any outside influence disrupt the quiet way of life on the island. Then one morning, an old woman comes across three bodies that have washed up with the tide: three young black men, who have apparently drowned in their attempt to cross the sea. The initial reaction of the island community is that this tragedy must be covered up, lest any association with the drownings damages the island's tourism industry . . . But the island's deliberate isolation from the realities of the world cannot last for long, and when a visiting detective arrives on the island and starts asking awkward questions, it becomes clear that the deaths of these three men indicate something far more sinister and deeply rotten lying at the heart of this godforsaken fragment of sea-bound land. Translated from the French by Euan Cameron EUAN CAMERON is a literary translator from the French and a former publisher. His previous translations include works by Patrick Modiano, Didier Decoin and Paul Morand, as well as biographies of Marcel Proust and Irène Némirovsky. His debut novel, Madeleine, was published in 2019. With the support of the Creative Europe Programme of the European Union

Four narrators, a student from a cafe, a private detective hired by an aggrieved husband, the heroine herself and one of her lovers, construct a portrait of Jacqueline Delanque, otherwise known as Louki. The daughter of a single mother who works in the Moulin Rouge, Louki grows up in poverty in Montmartre. Her one attempt to escape her background fails when she is rejected from the Lycee Jules-Ferry. She meanders on through life, into a cocaine habit, and begins frequenting the Cafe Conde, whose regulars call her "Louki". She drifts into marriage with a real estate agency director, but finds no satisfaction with him or his friends and so makes the simple decision not to return to him one evening. She turns instead to a young man almost as aimless and adrift as she, but who perhaps loves her all the same. Ever-present through this story is the city of Paris, almost another character in her own right. This is the Paris of 'no-man's-lands', of lonely journeys on the last metro, or nocturnal walks along empty boulevards; of cafes where the lost youth wander in, searching for meaning, and the older generation sift through their memories of their own long-gone adolescence. Translated from the French by Euan Cameron

The story of Coco Chanel in her own words, as told by her to Paul Morand - in a Deluxe special edition, illustrated by Karl Lagerfeld and authorised by Chanel Told in her own words, Coco Chanel's memories offer a rare glimpse into the mind of one of the most influential women in fashion history. During a visit to St. Moritz at the end of World War II, Chanel shared intimate details of her life, loves and fashion philosophy with her life-long friend, Paul Morand. Only coming to light after Chanel's death, her intimate recollections reveal the secrets behind her success and the captivating charm that made her a true icon The Allure of Chanel attracted the attention of Karl Lagerfeld, who embellished it with seventy-three drawings, sketched for this special illustrated edition.

"Immersive, nuanced, impeccably researched" IAN RANKIN "Beautifully written and moving" ALLAN MASSIE "Poignant, nostalgic and redolent of the smell of France" SIMON BRETT Family history has always been a mystery to Will Latymer. His father flatly refused to talk about it, and with no other relatives to consult, it seems that a mystery it shall always remain. Until of course, Will meets Ghislaine, his beautiful French cousin, in a chance encounter that introduces him to his grandmother, Madeleine, shut away in a quiet Breton manor with her memories and secrets. Before long, Will has been plunged headlong into the life of Madeleine's great love, his longlost grandfather, Henry Latymer. Reading Henry's old letters and diaries for the first time, Will discovers an idealistic young man, full of hopes and optimism - an optimism that will gradually be crushed as the realities of life under the Vichy regime become glaringly clear. But the more Will delves into Madeleine and Henry's past, and into France's troubled history, the darker the secrets he discovers become, and the more he has cause to wonder if sometimes, the past should remain buried.

The village of Shimae is thrown into turmoil when master carp-catcher Katsuro suddenly drowns in the murky waters of the Kusagawa river. Who now will carry the precious cargo of carp to the imperial palace and preserve the crucial patronage that everyone in the village depends upon? Step forward Miyuki, Katsuro's grief-struck widow and the only remaining person in the village who knows anything about carp. She alone can undertake the long, perilous journey to the imperial palace, balancing the heavy baskets of fish on a pole across her shoulders, and ensure her village's future. So Miyuki sets off. Along her way she will encounter a host of remarkable characters, from prostitutes and innkeepers, to warlords and priests with evil in mind. She will endure ambushes and disaster, for the villagers are not the only people fixated on the fate of the eight magnificent carp. But when she reaches the Office of Gardens and Ponds, Miyuki discovers that the trials of her journey are far from over. For in the Office of Gardens and Ponds, nothing is quite as it seems, and beneath its veneer of refinement and ritual, there is an impenetrable barrier of politics and snobbery that Miyuki must overcome if she is to return to Shimae.

From the author of Grey Souls and Brodeck's Report: a chilling island fable of murder, exploitation and complicity "A parable about modern migration that is also the kind of detective story Mikhail Bulgakov might have written: visionary and darkly humourous" Lucy Hughes-Hallet, New Statesman BOOKS OF THE YEAR "A timely and elegant examination of the migrant situation in the Mediterranean from the point of view of a remote, volcanic island" The New European BOOKS OF THE YEAR The Dog Islands are a small, isolated cluster of islands in the Mediterranean - so called because together, when viewed from above, they form the shape of a dog, twisting and baring its teeth against a brilliant blue sea. One of the only inhabited islands (the one that takes the place of one of the dog's teeth) is dominated by a gently smoking volcano, fringed by black volcanic beaches and under the iron rule of the heads of community who are loath to let any outside influence disrupt the quiet way of life on the island. Then one morning, an old woman comes across three bodies that have washed up with the tide: three young black men, who have apparently drowned in their attempt to cross the sea. The initial reaction of the island community is that this tragedy must be covered up, lest any association with the drownings damages the island's tourism industry . . . But the island's deliberate isolation from the realities of the world cannot last for long, and when a visiting detective arrives on the island and starts asking awkward questions, it becomes clear that the deaths of these three men indicate something far more sinister and deeply rotten lying at the heart of this godforsaken fragment of sea-bound land. Translated from the French by Euan Cameron EUAN CAMERON is a literary translator from the French and a former publisher. His previous translations include works by Patrick Modiano, Didier Decoin and Paul Morand, as well as biographies of Marcel Proust and Irene Nemirovsky. His debut novel, Madeleine, was published in 2019. With the support of the Creative Europe Programme of the European Union

The story of Coco Chanel in her own words, as told by her to Paul Morand Told in her own words, Coco Chanel's memories offer a rare glimpse into the mind of one of the most influential women in fashion history. During a visit to St. Moritz at the end of World War II, Chanel shared intimate details of her life, loves and fashion philosophy with her life-long friend, Paul Morand. Only coming to light after Chanel's death, her intimate recollections reveal the secrets behind her success and the captivating charm that made her a true icon

Jean Daragane, writer and recluse, has purposely built a life of seclusion away from the Parisian bustle. He doesn't see many people, he rarely goes out: he spends his life in a solitary world of his own making. His peace is shattered however, one hot September afternoon, by a threatening phone call from a complete stranger, who claims to have found Daragane's old phone book and wants to question him about a particular name it contains. But when Daragane agrees to meet the mysterious Gilles Ottolini, he realises that - try as he might - he cannot place the name "Guy Torstel" at all. Yet Ottolini is desperate for any information on this man... Finding himself suddenly entangled in the lives of Ottolini and his beautiful, but fragile young associate, Daragane is drawn into the mystery of a decades-old murder that will drag him out of his lonely apartment and force him to confront the memory of a long-suppressed personal trauma. Imbued with nostalgia, subtlety, and its own unique poetry, this darkly mysterious novel weaves a spell that provokes as much as it entrances.

This volume charts the Bible's progress from the end of the Middle Ages to the Enlightenment. During this period, for the first time since antiquity, the Latin Church focused on recovering and re-establishing the text of Scripture in its original languages. It considered the theological challenges of treating Scripture as another ancient text edited with the tools of philology. This crucial period also saw the creation of many definitive translations of the Bible into modern European vernaculars. Although previous translations exist, these early modern translators, often under the influence of the Protestant Reformation, distinguished themselves in their efforts to communicate the nuances of the original texts and to address contemporary doctrinal controversies. In the Renaissance's rich explosion of ideas, Scripture played a ubiquitous role, influencing culture through its presence in philosophy, literature, and the arts. This history examines the Bible's impact in Europe and its increasing prominence around the globe.

Courland is an entity that no longer exists. With the Gulf of Riga to the north, the Baltic to the west and Lithuania at its southern border, and now part of modern Latvia, the region was occupied by Nazi Germany and returned to Soviet Russia after the war, remaining largely inaccessible until 1991. It is now a nowhere land of wide skies and forests, deserted beaches, ruined castles and ex-KGB prisons. For years Jean-Paul Kauffmann has been irresistibly drawn to this buffer between the Germanic and Slav worlds. His digressive travels at the wheel of a Skoda become an investigation into the whereabouts of a former lover, a search for an excavator of tombs, and a journey in the footsteps of Louis XVIII, for whom Courland was once a place of exile.

From the sizzling sharpness of freshly cut garlic to the cool tang of a father's aftershave; the heady intoxication of a fumbled first kiss to the anodyne void of disinfectant and death, this is a decadently original olfactory memoir. In sixty-three elusive episodes we roam freely across the countryside of Lorraine, North-East France, from kitchen to farm to a lover's bed. Recognising the bittersweet nostalgia of a scent that slips away on the summer breeze, Claudel demonstrates again his impeccable grasp of the personal and the universal, interweaved with a rare, self-deprecating charm. This is an evocative patchwork at once earthy and ethereal, erotic and heart-breaking. Claudel permits us a glimpse of moments that have driven him to delight or despair, creating through the fading aromas of the past fragments of humour, insight and quite intangible beauty.

This extensively illustrated book offers a new kind of introduction to Europe between 1500 and 1800. It considers the evolving economy and society - the basic facts of life for the majority of Europe's people. It shows how the religious and intellectual unity of western culture fragmented and dissolved under the impact of new ideas. It also examines politics to consider the emergence of modern attitudes and techniques in governing.

The New Cambridge History of the Bible comprises four volumes that take into account the considerable advances in scholarship made in almost all biblical disciplines during the previous forty years. The volumes respond to shifts in scholarly methods of study of the Old and New Testaments, look closely at specialized forms of interpretation, and address the new concerns of the twenty-first century. Attention is paid to biblical studies in eastern Christian, Jewish, and Islamic contexts, rendering the series of interest to students of all Abrahamic faiths. The entire New Cambridge History of the Bible offers a comprehensive account of the development of the Bible from its origins to the present day, but each volume can also be read independently, proving a substantial contribution to the scholarship of the period it covers. This New Cambridge History will provide an invaluable resource for scholars, researchers, and students alike.

A feverish classic from one of the modern masters of French prose No one can keep up with Pierre Niox, the speediest antiques dealer in Paris - although not necessarily the most competent. As he dashes about at a dizzying pace, his impatience becomes too much to bear for those around him: his manservant, his only friend and even his cat abandon him. He begins to find that while he is racing through life, it is passing him by. But when Pierre falls in love with the languid, unpunctual Hedwige, the man in a hurry has to learn how to slow down. This feverish classic by one of the modern masters of French prose is a witty and touching parable for our busy times.

Paris, 1959. As dusk settles over the immigrant quarter, 12-year-old Michel Marini - amateur photographer and compulsive reader - is drawn to the hum of the local bistro. From his usual position at the football table, he has a vantage point on a grown-up world - of rock 'n' roll and of the Algerian War. But as the sun sinks and the plastic players spin, Michel's concentration is not on the game, but on the huddle of men gathered in the shadows of a back room... Past the bar, behind a partly drawn curtain, a group of eastern European men gather, where under a cirrus of smoke and over the squares of chess boards, they tell of their lives before France - of lovers and wives, children and ambitions, all exiled behind the Iron Curtain. Listening to this band of survivors and raconteurs, Michel is introduced to a world beyond the boundaries of his childhood experience, a world of men made formidable in the face of history, ideas and politics: the world of the Incorrigible Optimists Club.

Since its first appearance in 1991, The European Reformation has offered a clear, integrated, and coherent analysis and explanation of how Christianity in Western and Central Europe from Iceland to Hungary, from the Baltic to the Pyrenees splintered into separate Protestant and Catholic identities and movements. Catholic Christianity at the end of the Middle Ages was not at all a uniformly 'decadent' or corrupt institution: it showed clear signs of cultural vigour and inventiveness. However, it was vulnerable to a particular kind of criticism, if ever its claims to mediate the grace of God to believers were challenged. Martin Luther proposed a radically new insight into how God forgives human sin. In this new theological vision, rituals did not 'purify' people; priests did not need to be set apart from the ordinary community; the church needed no longer to be an international body. For a critical 'Reformation moment', this idea caught fire in the spiritual, political, and community life of much of Europe. Lay people seized hold of the instruments of spiritual authority, and transformed religion into something simpler, more local, more rooted in their own community. So were born the many cultures, liturgies, musical traditions and prayer lives of the countries of Protestant Europe. This new edition embraces and responds to developments in scholarship over the past twenty years. Substantially re-written and updated, with both a thorough revision of the text and fully updated references and bibliography, it nevertheless preserves the distinctive features of the original, including its clearly thought-out integration of theological ideas and political cultures, helping to bridge the gap between theological and social history, and the use of helpful charts and tables that made the original so easy to use.

Prompted by the 2017 commemoration of the 500th anniversary of the Protestant Reformation, this book examines the legacy of Martin Luther in the life, work, and reception of Dietrich Bonhoeffer, the most widely read modern Lutheran theologian. Framing the commemoration of the Reformation in conversation with Bonhoeffer's legacy places much more than Bonhoeffer's connection to Luther at stake. Given the fraught relationship of the Lutheran Bonhoeffer with the German Protestant Church under National Socialism, the question inevitably arises: "What happened to Luther's church in Germany?" This in turn prompts the question: "How did the Protestant tradition play out in public life in other nations?" And these historical issues in turn encourage reflection on a question that exercised both Luther and Bonhoeffer: "What will be the shape of the church in the future?" In these pages, an international group of scholars and practitioners from both church and state pursues these questions.

Since the dawn of history people have used charms and spells to try to control their environment, and forms of divination to try to foresee the otherwise unpredictable chances of life. Many of these techniques were called 'superstitious' by educated elites. For centuries religious believers used 'superstition' as a term of abuse to denounce another religion that they thought inferior, or to criticize their fellow-believers for practising their faith 'wrongly'. From the Middle Ages to the Enlightenment, scholars argued over what 'superstition' was, how to identify it, and how to persuade people to avoid it. Learned believers in demons and witchcraft, in their treatises and sermons, tried to make 'rational' sense of popular superstitions by blaming them on the deceptive tricks of seductive demons. Every major movement in Christian thought, from rival schools of medieval theology through to the Renaissance, the Reformation, and the Enlightenment, added new twists to the debates over superstition. Protestants saw Catholics as superstitious, and vice versa. Enlightened philosophers mocked traditional cults as superstitions. Eventually, the learned lost their worry about popular belief, and turned instead to chronicling and preserving 'superstitious' customs as folklore and ethnic heritage. Enchanted Europe is the first comprehensive, integrated account of western Europe's long, complex dialogue with its own folklore and popular beliefs. Drawing on many little-known and rarely used texts, Euan Cameron constructs a compelling narrative of the rise, diversification, and decline of popular 'superstition' in the European mind.

Since the dawn of history people have used charms and spells to try to control their environment, and forms of divination to try to foresee the otherwise unpredictable chances of life. Many of these techniques were called "superstitious" by educated elites.
For centuries religious believers used "superstition" as a term of abuse to denounce another religion that they thought inferior, or to criticize their fellow-believers for practising their faith "wrongly." From the Middle Ages to the Enlightenment, scholars argued over what 'superstition' was, how to identify it, and how to persuade people to avoid it. Learned believers in demons and witchcraft, in their treatises and sermons, tried to make 'rational' sense of popular superstitions by blaming them on the deceptive tricks of seductive demons.
Every major movement in Christian thought, from rival schools of medieval theology through to the Renaissance, the Reformation, and the Enlightenment, added new twists to the debates over superstition. Protestants saw Catholics as superstitious, and vice versa. Enlightened philosophers mocked traditional cults as superstitions. Eventually, the learned lost their worry about popular belief, and turned instead to chronicling and preserving 'superstitious' customs as folklore and ethnic heritage.
Enchanted Europe offers the first comprehensive, integrated account of western Europe's long, complex dialogue with its own folklore and popular beliefs. Drawing on many little-known and rarely used texts, Euan Cameron constructs a compelling narrative of the rise, diversification, and decline of popular 'superstition' in the European mind.

Yvonne Cloetta was Graham Greene's companion for almost 32 years. Graham knew the time might come when Yvonne's privacy would be invaded. His advice was that she could either refuse to speak or to 'tell the truth'. This Cloetta has done startlingly eloquently - with the help of family friend and biographer Marie-Francoise Allain. What emerges is the most intimate account of Greene we have. Yvonne reveals the considerate, jovial and tender side of the private Graham Greene. She provides a new perspective on the 'old firm' and his contact with the former secret service boss Kim Philby. In Search of a Beginning is a book to send the reader racing either to reread or to discover the novels of Graham Greene, a writer who truly believed you had to go out and see the world to have anything to write about - which of course made his life more interesting than most. The fact that we can now see his life so intimately constitutes a literary milestone.